Close Menu
    Facebook X (Twitter) Instagram
    Facebook X (Twitter) Instagram
    The Movie Buff
    Subscribe
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Horror

    The Houses October Built (NR)

    Matt DeCristo By Matt DeCristoMay 23, 2018No Comments4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    Its 130 days until October 1, but some recent gloomy weather and an intriguing trailer brought me to the 2014 found footage Indie “The Houses October Built.”

    The plot is interesting to say the least – a group of friends documenting the scariest haunted houses in the days leading up to Halloween. Its filmed in the style of found footage, purported to be realistic events in which the group is witnessing actual strange and borderline evil things along the journey.

    The real life jump scares associated with a traditional October visits to a haunted house are perfectly organic, and some of the journey is shown through the first person lens of a camera, which makes it more chilling.

    What we have is a rudimentary production at best, and that’s not to say its a bad thing. Writers Bobby Roe (who also directs), Zach Andrews, and Jason Zada depict a simple setting that is little more than a van the group drives around in, and the actual on location houses they film. Roe and Andrews also appear as primary characters in the story.

    The movie doesn’t prop up sloppy writing or a weak plot with the found footage crutch like so many other films do. Rather, its done in a way that isn’t too out of place as we witness the events from the viewfinder of the camcorder operated mostly by Jeff (Jeff Larson) as well as static security cameras on the Winnebago. While there are a few times you may find yourself screaming to put the camera down and act like a normal person would, it isn’t as outlandish as it is seen in other stories of this ilk.

    Where the simplicity of the plot fails, the cast itself is quite good, and the rapport makes us believe they have a true friendship among each other. We have the token cute girl (Brandy Schaefer) who is pleasing on the eyes and by far the standout from an acting perspective. Brandy delivers the fear and nerves one has come to expect from a horror movie siren. We can gather she’s an independent sort, the type who could change a flat tire faster than a mechanic, but she’s perfectly at ease admitting she gets scared easily amidst the darkness of a haunted house.

    Brandy is joined by cameraman Jeff, boyfriend Zack (Zach Andrews), and brothers Bobby and Mikey Roe. Each is perfectly natural in their role of just a group of regular people making a documentary. Some of the funniest and best interactions occur when they are just driving around in the van talking to each other like friends would do.

    The opening scene depicts the friends in a typical dive bar setting up their adventures and plan – searching for the most extreme haunted houses, specifically ones nestled in the backwoods of rural Texas where there are no safety rules, OSHA guidelines, and whispered rumors of ex-cons operating the sites and actual human body parts used as props.

    As the crew embark on their journey, the houses and people they encounter get creepier and creepier, you’ll want to combine elements of “The Blair Witch Project” and “Deliverance” for reference points.

    The weak spots of the film to me were the hit or miss nature, literally from one scene to the next. I loved the creepiness of the costumes the haunted house characters are dressed in (kudos to the wardrobe department for crafting some clever and truly original gems) specifically the doll, bloodied rabbit, and clowns though at times it seems like the story was lacking, and scenes were little more than an excuse to show off said costumes (though I can’t really blame them).

    “The Houses October Built” is a decent movie. It has some scares, some cool effects, and the style of found footage. Check it out for a fun show that doesn’t attempt to be the GOAT of horror movies.

    by – Matt DeCristo

    2014 Bobby Roe Brandy Schaefer The Houses October Built Zack Andrews
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleThe Condemned (R)
    Next Article Someone Like You… (PG-13)
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Independent June 15, 2025

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    Independent June 12, 2025

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    World Cinema June 11, 2025

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    Movie Review June 10, 2025

    ‘The Day After’ Review: Epic TV Movie Demonstrates the 80s Don’t Hold Punches

    Movie Review June 9, 2025

    ‘High School U.S.A.’ Review: Old World Made for TV Comedy

    Action June 9, 2025

    ‘Ballerina’ Review: Blood, Sweat, and Ballet

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    By Paul Emmanuel EnicolaJune 11, 20250
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    A curious trend emerged across several films at this year’s Tribeca Festival: characters retreating to…

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    By Mark ZiobroJune 10, 20250

    ‘On a String’ Tribeca Review: Isabel Hagen’s Viola-Playing Heroine Finds Humor in Stagnation

    By Paul Emmanuel EnicolaJune 8, 20250
    Spotlight on Classic Film

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    “The Twilight Zone” Top 60 Episodes Ranked – Episodes 60-46

    The Movie Buff is a growing cinema and entertainment website devoted to covering Hollywood cinema and beyond. We cover all facets of film and television, from Netflix and Amazon Prime to theater releases and comfort favorites.

    The Movie Buff is also a leading supporter of indie film, featuring coverage of small, low-budget films and international cinema from Bollywood, Latin America, and beyond.

    Facebook X (Twitter) Instagram YouTube LinkedIn
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.