Close Menu
    Facebook X (Twitter) Instagram
    Facebook X (Twitter) Instagram
    The Movie Buff
    Subscribe
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Drama

    The Pursuit of Happyness (PG-13)

    Mark Ziobro By Mark ZiobroSeptember 9, 2017No Comments5 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    Rising against all odds movies are typically reserved for sports films. “Cinderella Man,” “Rocky.” We understand their struggle, and something about the high risk/reward payoff at these films’ conclusions make the struggle all the more real. But sometimes it takes a film about not an athlete, but an ordinary man trying to survive to have these revelations truly hit home. Gabriele Muccino’s “The Pursuit of Happyness” is such a film. With a realistic and focused aim, and a terrific acting performance by Will Smith, the film was nominated for an Oscar and remains one of the most inspirational films to come out of 2006.

    When we meet Will Smith’s character, Chris Gardner, he’s on the bottom rung. He’s a salesman, struggling to sell his supply of a new type of bone density scanner to doctor’s offices. By his own admission, he hasn’t sold one for a while. He and his wife (Thandie Newton) are barely making ends meet, barely making rent, his wife working double shifts at a factory while Chris pounds the pavement. It isn’t long before things fall apart; Linda leaves to find better work in New York with a friend. Chris takes custody of his young son (played by Smith’s real-life son Jaden Smith), and signs up for an internship with a brokerage firm in hopes of making it out of his poverty woes and starting a good life for he and his son.

    The film is quick to show the ties that bind Chris and his son together, as well as the stark walls between those fortunate and those less so. The film takes place in San Fransisco, and shots of trolly rides are interspersed with men and women in business suits stepping over homeless people, the societal walls between them thicker than physical ones. Cinematically, the film paints San Fransisco in a bright light, full of possibilities. Chris hears about an internship at a company called Dean Witter after bumping into a stockbroker stepping out of a fancy car. “I have two questions for you,” Chris gasps in awe. “What do you do and how do you do it??”

    As morose as it may sound, where “The Pursuit of Happyness” excels is in its portrayal of the grim circumstances that Chris finds himself in throughout. The internship has no salary. He has a son to care for. He’s forced, during the course of the movie, to experience true hunger, desperation, homelessness. He begs a friend for $14 dollars that he owes him; only to a man like Chris – and one played so expertly by Will Smith – do we know how much that $14 means to him. And, in the film’s most desperate sequence, Chris and his son must spend the night in a locked bathroom. A man knocks to get in. And knocks. And knocks. Chris’ silent tears put more heart into his character, and into this movie, than a million impassioned speeches ever could.

    The movie hosts a bevy of well-intentioned and likable characters. There’s Jay Twistle (played by Brian Howe) who gives Chris the internship opportunity, impressed by Chris, who’s able to complete the seemingly impossible Rubik’s cube (the film is set in the ‘80s, with several TV appearances by then-President Ronald Reagan). There’s also Kurt Fuller, playing a billionaire named Walter Ribbon, whom Chris tries to cozy up to to gain sales for his brokerage firm, and James Karen, playing a Dean Witter executive named Martin Frohm. Two hippies who follow Chris through the movie (one who seems fixated on the fact that Chris’ bone density scanner is a ‘time machine’) also add to the film in comical ways, but the movie avoids the temptation to poke fun at their situation, instead using it for fodder for Chris to bond with his son later.

    For their part, Will and Jaden Smith play off of each other superbly, and seem to have great chemistry on-screen. “Don’t ever let someone tell you you can’t do something, not even me,” Chris warns his son in an inspirational speech. And while Jaden is young here, and basically follows his father around, sometimes joyed and oftentimes despaired, he delivers a believable performance. You truly believe these two are father and son. And Will Smith gives one of the best performances of his career here. Solid throughout, you needn’t look further than the film’s epic conclusion, as Chris’ future hangs in the balance of the opinions of four men. Again, it’s not with persuasive speech that Smith captivates us; the look in his eyes says it all.

    All in all, “The Pursuit of Happyness” is a solid film, one that will make you feel warm and pained throughout. While not as renowned a film from Smith as “Ali,” this is one you shouldn’t miss nonetheless.

    – by Mark Ziobro

    Chris Gardner homeless inspiration Jaden Smith poverty San Fransisco shelter stock broker The Pursuit of Happyness Will Smith
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleSouthpaw (R)
    Next Article Con (NR)
    Mark Ziobro
    • Website
    • Facebook
    • X (Twitter)
    • Instagram
    • LinkedIn

    Mark is a lifetime film lover and founder and Chief Editor of The Movie Buff. His favorite genres are horror, drama, and independent. He misses movie rental stores and is always on the lookout for unsung movies to experience.

    Related Posts

    Independent June 15, 2025

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    Independent June 12, 2025

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    World Cinema June 11, 2025

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    Movie Review June 10, 2025

    ‘The Day After’ Review: Epic TV Movie Demonstrates the 80s Don’t Hold Punches

    Movie Review June 9, 2025

    ‘High School U.S.A.’ Review: Old World Made for TV Comedy

    Action June 9, 2025

    ‘Ballerina’ Review: Blood, Sweat, and Ballet

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    By Paul Emmanuel EnicolaJune 11, 20250
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    A curious trend emerged across several films at this year’s Tribeca Festival: characters retreating to…

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    By Mark ZiobroJune 10, 20250

    ‘On a String’ Tribeca Review: Isabel Hagen’s Viola-Playing Heroine Finds Humor in Stagnation

    By Paul Emmanuel EnicolaJune 8, 20250
    Spotlight on Classic Film

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    “The Twilight Zone” Top 60 Episodes Ranked – Episodes 60-46

    The Movie Buff is a growing cinema and entertainment website devoted to covering Hollywood cinema and beyond. We cover all facets of film and television, from Netflix and Amazon Prime to theater releases and comfort favorites.

    The Movie Buff is also a leading supporter of indie film, featuring coverage of small, low-budget films and international cinema from Bollywood, Latin America, and beyond.

    Facebook X (Twitter) Instagram YouTube LinkedIn
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.