Close Menu
    Facebook X (Twitter) Instagram
    Friday, March 6
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Drama

    The Prestige (PG-13)

    Matt DeCristoBy Matt DeCristoJanuary 4, 2017No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    Powdered wigs, foggy skies, and filthy streets bring early 1900’s London to perfection in the 2006 thriller “The Prestige.” Director Christopher Nolan displays a perfect setting, and a star filled cast turns out excellent performances in a movie based on Christopher Priest’s award winning novel of the same name.

    “The Prestige” deals with an interesting concept, and one not often talked about outside the darkened alleys of the entertainment underworld. The movie broaches the bounds of a professional rivalry between two magicians, and the increasingly brutal consequences their constant attempts to outshine the other bring.

    “The Prestige” is told in flashback form, with occasional narratives offered by senior stage engineer John Cutter (Michael Caine) who explains the terminology of the films title in relation to the world of magic. “Making something disappear isn’t enough. You have to bring it back. The 3rd part of every magic trick is called the prestige.”

    Robert Angier and Alfred Borden are feuding magicians played to stunning perfection by Hugh Jackman and Christian Bale. The actors are both known more for superhero machismo with roles like Wolverine and Batman, but both men display immense inner talents in the whimsical roles of the magicians.

    After a tragic incident with a trick gone bad, Robert Angier joins John Cutter in order to defeat Borden on stage. The joust between the pair quickly escalates to obsession as they go back and forth in a perilous quest to outdo the other, each time with more dangerous tricks and collateral damage left in the wake.

    I loved the atmosphere in “The Prestige” in which the viewer will find themselves quickly immersed in 1900 London. The stage itself is brought to life in a way reminiscent of a Dickens tale. As you watch, you’ll feel like you are witnessing actual footage of a long gone time. The placement is perfect for the characters and the story.

    Hugh Jackman does a fantastic job in the role of Robert Angier. Jackman brings a quality to the character that reflects his true nature; we see a happy man who loves performing magic on stage quickly devolve into a crazed stalker as he becomes warped with trying to beat his rival. Christian Bale is equally effective as Alfred Borden, a seemingly superior magician who lacks the charm and charismatic stage presence of Angier.

    Scarlett Johansson brings godlike beauty to the table in the role of Olivia – assistant and lover of Robert Angier, with Michael Caine serving as a perfect elder statesman, offering constant words of wisdom as the story progresses. “The secret impresses no one, the trick is everything.”Simple and brilliant.

    Musician David Bowie appears as well, in the role of Nikola Tesla, an inventor who creates devices used by the magicians. Bowie manages to showcase talents outside of the music industry in the performance.

    My biggest complaints are the length (its run time is 2:10 but gets a bit long and tired towards the end) and the inclusion of the science fiction element which renders an otherwise plausible tale moot.

    As we watch the two magicians battle it out with parlor tricks and deadly feats, otherworldly elements seem a touch out of place.

    Despite that, “The Prestige” is an excellent film that offers great acting, a marvelous setting, and a truly harrowing concept. Hugh Jackman and Christian Bale deliver like the top billed talent they are.

    The story is one of uniqueness, and the acting is as close to perfect as one will find in a movie. You’ll never look at a simple card trick the same way again.

    by – Matt Christopher

    2006 Christian Bale Christopher Nolan Hugh Jackman Scarlett Johansson The Prestige
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleThe Santa Clause 2 (G)
    Next Article Road to the Well (NR)
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Drama March 4, 2026

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    Independent March 2, 2026

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    Horror March 2, 2026

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    Drama March 1, 2026

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    Action February 26, 2026

    ‘Man on Fire:’ Violent and Unforgiving, but Features Both Denzel and Fanning at their Best

    Romance February 24, 2026

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    Comments are closed.

    Latest Posts

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    ‘Scream 7’ Review: A New Chapter as the Franchise Rewrites the Rules

    By Holly MarieMarch 2, 20260

    “Wuthering Heights” (2026) Review: A Preposterous Retelling, Rich in Aesthetic Yet Weightless in Text

    By Hector GonzalezMarch 1, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Rosemead’ Review: A Mother and Son Stare Down the Barrel in a Tragic Eye-Opener

    By Vidal DcostaMarch 4, 20260

    “Rosemead” is based on “A dying mother’s plan: Buy a gun. Rent a hotel room.…

    The Short Film ‘Jam Boy’ by Sriram Emani is Rich with Culture and Social Commentary

    By Mark ZiobroMarch 2, 20260

    Review: Rough Sex and Rougher Relationship Dynamics Intertwine in the Risqué ‘Pillion’

    By Vidal DcostaFebruary 24, 20260

    Interview: Filmmaker Sriram Emani on Exploring Self-Erasure and Breaking Patterns in his Debut Short ‘Jam Boy’

    By Vidal DcostaFebruary 20, 20260

    Acclaimed Violinist Lara St. John Talks About ‘Dear Lara’ Doc in Post SBIFF Interview

    By Mark ZiobroFebruary 16, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.