Close Menu
    Facebook X (Twitter) Instagram
    Facebook X (Twitter) Instagram
    The Movie Buff
    Subscribe
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Drama

    The House of Yes (R)

    Matt DeCristo By Matt DeCristoNovember 26, 2014No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    With the difficulty behind the task of finding Thanksgiving themes movies, an online search brought me to a completely unheard of indy film called “The House of Yes.” In a truly offbeat way, the 1997 piece, based on a play by Wendy MacLeod and directed by Mark Waters (“Mean Girls”), is something of a Thanksgiving based story, and although the film offers nothing in the way of festive cheer, the outcome is a shockingly great story.

    With a cast featuring TV star Tori Spelling, Broadway talent Josh Hamilton, veteran actress Genevieve Bujold, then-rookie Freddie Prinze Jr, and the aptly nicknamed Queen of the Indies Parker Posey, “The House of Yes” is really unlike anything you’ve seen before on screen, perfectly embodying the spirit and reputation of an indie film.

    Its dark, though not so heavy as to burden one with dastardly thoughts, and funny in a genuinely odd way. Wrapped together nicely, “The House of Yes” is an intriguing story that reflects its play-based roots will make you want to watch it again and again – though I’m really not sure why.

    Set at a massive estate in the posh community of McLean Virginia, the story occurs on Thanksgiving Day 1983, with a placard reminding us its been exactly 20 years since the assassination of President John F. Kennedy. The occupants of the mansion are the Pascal family, lead by the sullen matriarch (Bujold) and rounded out with daughter Jacqueline (Posey) and son Anthony (Prinze).

    houseofyes2

    Jacqueline, nicknamed Jackie-O from her lifelong obsession with former First Lady Jackie Onassis, has just been released from a psychiatric hospital. The Pascals are planning for the return of Jackie-O’s twin brother Marty (Hamilton) who is returning home for Thanksgiving accompanied by his new fiancé Lesly (Spelling).

    Understandable nerves are replaced with genuine fright as Marty and Lesly are forced to deal with Jackie-O, Anthony, and Mrs. Pascal. The close knit family proves that it doesn’t take kindly to the introduction of strangers.

    Holiday based stories often employ the device of brining home a new love interest to meet the crazy family. In “The House of Yes” the Pascal family takes crazy to an entirely new level. Despite taking place on Thanksgiving day, there’s none of the usual seasonal fanfare. Flawless blankets of snow are replaced with the winds and heavy rains of a mid-Atlantic hurricane, and Jackie-O’s unhealthy obsession with her brother takes family bonding to the stratosphere of insanity.

    houseofyes3With little in the way of effects, the talent takes “Yes” to the next level with its strong performances. Parker Posey dominates with her portrayal of the disturbed and highly amusing Jackie-O. Hamilton is the perfect counter to her outlandish character., bringing with it his own brand of wacky. Freddie Prinze Jr will leave you in tears as the awkward and flirtatious Anthony. Spelling and Bujold serve as great compliments and together, the group forms a perfect ensemble.

    Chances are you’ve never heard of “The House of Yes.” I urge you to check it out. It’s a dark comedy that offers a taste of brilliant acting and production value and holds nothing back. Use the Thanksgiving backdrop as an excuse to pencil it into your collection. Place “The House of Yes” next to “Pieces of April” and “Planes, Trains & Automobiles” for exclusive November viewing.

    by – Matt Christopher

    1997 Josh Hamilton Parker Posey thanksgiving The House of Yes Tori Spelling
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleThelma & Louise (R)
    Next Article Snow Cake (NR)
    Matt DeCristo
    • Website
    • X (Twitter)

    Matt's a writer and content creator for the site. His reviews offer insight on the art of filmmaking from the standpoint of a casual fan. Check out mattdecristo.com and follow him on Instagram and Twitter @MattDeCristo.

    Related Posts

    Independent June 15, 2025

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    Interview June 13, 2025

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    Independent June 12, 2025

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    World Cinema June 11, 2025

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    TV Series June 11, 2025

    TV Review: How Seth Rogen’s ‘The Studio’ Marries Art and Commerce—and Why It Resonates as a Masterpiece

    Independent June 10, 2025

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    ‘Cuerpo Celeste’ Tribeca Review: A Solar Eclipse Over Grief and Growing Up

    By Paul Emmanuel EnicolaJune 11, 20250
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Indie Film Highlights

    ‘Honeyjoon’ Tribeca Review: A Tender—If Tonally Uneven—Study on the Stubborn Bonds Between Mothers and Daughters

    By Paul Emmanuel EnicolaJune 15, 20250

    A curious trend emerged across several films at this year’s Tribeca Festival: characters retreating to…

    Interview: Oscar Nominee Jessica Sanders On Her Upcoming Comedy Short, ‘I Want To Feel Fun’

    By Vidal DcostaJune 13, 20250

    Tribeca Review: ‘A Tree Fell in the Woods’—But the Drama Barely Rustled

    By Paul Emmanuel EnicolaJune 12, 20250

    Indie Psychological Thriller ‘Audrey’ Releases First Trailer

    By Mark ZiobroJune 10, 20250

    ‘On a String’ Tribeca Review: Isabel Hagen’s Viola-Playing Heroine Finds Humor in Stagnation

    By Paul Emmanuel EnicolaJune 8, 20250
    Spotlight on Classic Film

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    “The Twilight Zone” Top 60 Episodes Ranked – Episodes 60-46

    The Movie Buff is a growing cinema and entertainment website devoted to covering Hollywood cinema and beyond. We cover all facets of film and television, from Netflix and Amazon Prime to theater releases and comfort favorites.

    The Movie Buff is also a leading supporter of indie film, featuring coverage of small, low-budget films and international cinema from Bollywood, Latin America, and beyond.

    Facebook X (Twitter) Instagram YouTube LinkedIn
    Copyright @2011-2025 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.