Close Menu
    Facebook X (Twitter) Instagram
    Friday, June 5
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Horror

    ‘Urban Legend’ — What Do We Know About the Reboot?

    Holly MarieBy Holly MarieJune 7, 2025No Comments4 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Urban Legend
    Natasha Gregson Wagner in "Urban Legend." (Photo: TriStar Pictures, 1998).
    Share
    Facebook Twitter Email Copy Link

    I am super excited to be writing about “Urban Legend” after finding out that there is a reboot in the making (seriously, I live for this stuff). It was by chance that I happened to come across it on Netflix recently, once again in need of some horror comfort, and I still can’t quite believe I missed this 1998 slasher growing up. 

    For those of you who don’t know, “Urban Legend” is based around a series of murders carried out on the campus of Pendleton College and seemingly focused on protagonist, Natalie (Alicia Witt). Whilst it begins in a somewhat uninspired manner—a series of killings taking place on campus—the film does have an interesting twist. Each gruesome murder is based on popular urban legends. It’s up to Natalie and her friends—including top cast members such as Jared Leto, Joshua Jackson, and Michael Rosenbaum, to figure out what’s going down. Two sequels would follow, “Urban Legends: Final Cut” and “Urban Legends: Bloody Mary,” neither of which had huge success.

    Folklore’s Influence on 20th Century Horror

    Though now accepted as a cult classic, the film was initially met with a fair bit of criticism, largely due to its unoriginality, with one critic dubbing it a “vapid Scream rip-off.” However, whilst it positions itself closely to ’90s popular slashers, it must have been tricky not to produce a horror movie at this time without following the fixation on folklore and urban myths. “Scream’s” opening scenes are highly reminiscent of the well-known ‘babysitter’ urban legend, where a series of phone calls harass a teenage babysitter, which appear to be coming from inside the house. And “I Know What You Did Last Summer” is based on the urban legend ‘the Hook’, which tells the story of a hook-wielding killer who attacks a couple in a parked car. Not to mention other cult classics of the time such as “The Blair Witch Project,” “Candyman,” and “Sleepy Hollow.”  

    Therefore, though undeniably reminiscent of other slashers, “Urban Legend” is more self-aware than given credit for. In my opinion, it serves as less an imitation and more a commentary on the saturation and impact of urban folklore on 20th century. Whilst other horror films of the time borrowed from or referenced urban folklore, “Urban Legend” is entirely forthcoming and upfront about its influences and goes so far as to point out their absurdity, and seemingly poking fun at the genre overall.  

    Having said that, whilst the concept may be fresh and unique, something about it doesn’t quite add up for me. What works so well for slashers such as “Scream” and “I Know What You Did Last Summer” is the ways in which they establish a genuine sense of place and community, with beloved characters whom viewers want to see return to the screen. After all, this is how you create a successful film franchise—creating a universe that instils within us a sense of both nostalgia and belonging and makes us want to re-watch and keep returning. And despite its attempts to establish itself as such, “Urban Legend” didn’t quite lay the foundations in the same way (though, don’t get me wrong, I’ll still be in first in the queue to watch the reboot). 

    The reboot – what do we know? 

    A scene from “Urban Legend.” (Photo: TriStar Pictures, 1998).
    1. The 1998 version was written by Sylvio Horta, with Jamie Blanks directing and production by Gina Matthews, Michael McDonnell, and Neal Moritz. The reboot has a strong production team, with Shanrah Wakefield (“Wrong Swipe,” “Kidnapped”) penning the script, whilst Gary Dauberman (“Annabelle,” “IT,” “Until Dawn,” “Salem’s Lot”) will produce. Colin Minihan (“Grave Encounters”) in the director’s seat. There are talks of Neal Moritz returning as producer (which is very exciting, as he produced the first two in the “I Know What You Did Last Summer” series and is producing the 2025 reboot). Safe to say it certainly stands a good chance with these guys behind it. 
    2. There haven’t been any recent updates on the plot details but back in 2020. However, when the film was initially set for a reboot, it was to focus on college students dealing with ‘a series of bizarre deaths resembling urban legends linked to the darkest corners of social media’. The film never began production due to the Covid-19 pandemic, but it sounds like the script is mostly the same.  
    3. Whilst there hasn’t yet been specific confirmation of any actors yet, Sydney Chandler (“Don’t Worry Darling,” “Pistol”) and Katherine McNamara (“Shadowhunters”) lead the rumour mill as leading cast members. Keith Powers (“Straight Outta Compton”) is also a potential contender.  

    It’s not a lot to go on for sure, but the ball is definitely rolling. I’m just loving all the horror reboots that are seemingly saturating our movie theatres at the moment, so keep them coming, I say.

    *Article references from The Hollywood Reporter, Collider, and Digital Spy.

    "Santosh" has a rating of B from The Movie Buff staff

    horror Legacy Sequel Neil Moritz reboot slasher Urban Legend
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous Article‘Sabar Bonda’ Director Rohan Parashuram Kanawade on Reel and Real Acceptance and Finding the Right People
    Next Article ‘On a String’ Tribeca Review: Isabel Hagen’s Viola-Playing Heroine Finds Humor in Stagnation
    Holly Marie

    Holly is a 33 year-old female from Cambridge, UK. She is obsessed with all things horror—books, movies, TV shows, and podcasts—you name it, Holly has made it her mission to catch every new horror movie released, good or bad. When she's not horror-ing, she enjoy he enjoys spending time outdoors, and is mostly training for marathons or ultra marathons.

    Related Posts

    Dark Comedy June 2, 2026

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    Horror May 30, 2026

    ‘Passenger’ Review: An Unremarkable Haunting Story with a Van-Life Twist

    Feature Article May 30, 2026

    ‘Midnight Girls’ and the Filipino Cost of Surviving Away From Home

    Horror May 28, 2026

    ‘Obsession’ is Effective Nightmare Fuel and a Strong Genre Film from Director Curry Barker

    Horror May 27, 2026

    ‘Projection’ is a Psychologically Eerie Film About Trauma and All its Voices

    Staff Recommends May 24, 2026

    ‘Faces of Death’ Review: Exploitation Cinema Landmark Remade for the New Generation in a Smart and Crafty Way

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    By Paul Emmanuel EnicolaJune 4, 20260

    ‘The Currents’ Review: Taking the Plunge

    By Kevin ParksJune 3, 20260

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    By Mark ZiobroJune 2, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Bollywood
    Bollywood

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    Sagar (Irrfan Khan), an ambitious musician rents a quaint cottage while awaiting his acceptance letter…

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260

    Halfway to Halloween: ‘Lekin…,’ a Time-Spanning Tale About Crossing Over to the Other Side

    By Vidal DcostaApril 22, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.