Close Menu
    Facebook X (Twitter) Instagram
    Friday, June 5
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    Interview

    SXSW Interviews: In Conversation with ‘Paul Dood’s Deadly Lunch Break’ Director/Co-Writer Nick Gillespie and Star Tom Meeten

    Daniel PrinnBy Daniel PrinnMarch 31, 2021No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Paul Dood's Deadly Lunch Break
    Photo: Belstone Pictures.
    Share
    Facebook Twitter Email Copy Link

    For this episode of our series of video interviews at this year’s SXSW film festival, I was able to conduct an interview of one of my favourite films out of the festival, and that was for “Paul Dood’s Deadly Lunch Break.” I was able to talk with Director/Co-Writer Nick Gillespie and star Tom Meeten, who plays the titular Paul Dood.

    The film’s about Paul, a well-meaning charity shop worker who dreams of winning the national ‘Talent Ladder’ talent competition. When the day comes for his big audition, five people derail him and make him late. Dreaming of vengeance, Paul fulfills his fantasies by trying to murder them all on one very eventful lunch break in this dark comedy/action hybrid. My review can be found here. 

    Just a note, there are mild spoilers in this conversation as we touch on one of the deaths (but also talk around it). This conversation goes from 7:35-9:30. If you want to avoid the spoiler, skip past this part (though it’s good fun if you don’t mind spoilers). During the rest of the interview, we discuss wardrobe, steamrollers, some of the SFX, Paul’s audition, what it was like maintaining Paul’s likability throughout the film, as well as the debate of Paul being anti-hero or underdog, and what genre they think best suits the film.

    The Interview

    You can watch the video interview below. I’ve included a sample of a question and answer from our conversation, edited for clarity.

    (A bit of context, we were talking about the sound effects of the steamroller used for one scene in the film. Nick  Gillespie points out that Tom was able to drive the steamroller.)

    Tom Meeten: Yeah, I did get to drive it. It was sort-of slow-moving but terrifying, as you’d imagine. We all know what a steamroller is but the enormous weight… It’s like, if you did veer, I felt like I would crush cars, buildings, people, entire society. [laughs]I could crush. It just felt like this unstoppable force. Quite a thrill, actually. Quite thrilling! [laughs]You can never get them particularly fast, but I felt like I could slip like a sequin if I got caught on the gear stick and I would plow into the church we were filming next to, that’s what was going through my head as I was driving it. Quite a thrill, recommended. 10/10. 9/10.

    Stay tuned for more SXSW interviews.

    action comedy interview Nick Gillespie Paul Dood's Deadly Lunch Break SXSW Tom Meeten
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleSXSW Interviews: In Conversation with the Brother and Sister Team Behind the Insightful Documentary Short ‘Plant Heist’

    Next Article Review: ‘Rape in the Fields’ Highlights the Plight of Female Immigrants Victims of Workplace Sexual Assault
    Daniel Prinn
    • Website
    • X (Twitter)

    Daniel is a lover of cinema and looks at the cast, characters, and how well a movie executes the genre. Daniel also looks at the plot and his level of enjoyment. He tries to be fair to a movie’s audience, even if a particular film isn’t his cup of tea. In addition to writing for "The Movie Buff," Daniel has been writing theatrical reviews for his own blog at “Filmcraziest.com."

    Related Posts

    Interview May 16, 2026

    UK Asian Film Festival 2026: Talking with Filmmaker Anshul Tiwari on ‘Bayaar,’ an Odyssean Contemplation of the Great Beyond

    Videogame May 10, 2026

    ‘Mortal Kombat II’ is a Fitting Sequel, Darker and More Resolved than its Predecessor

    Action May 5, 2026

    ‘One Spoon of Chocolate’ Delivers Impressive Action but Weak Storytelling

    Independent April 30, 2026

    The Short Film ‘Have a Safe Trip’ is a Fun-Yet-Zany Take on a Romantic Comedy

    Film Festival April 12, 2026

    New Directors/New Films 2026 Reviews: “Next Life” and “Variations on a Theme”

    World Cinema April 11, 2026

    ‘Donkey Days’ 2026 ND/NF Review: Just like Eddie

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    By Paul Emmanuel EnicolaJune 4, 20260

    ‘The Currents’ Review: Taking the Plunge

    By Kevin ParksJune 3, 20260

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    By Mark ZiobroJune 2, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Bollywood
    Bollywood

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    Sagar (Irrfan Khan), an ambitious musician rents a quaint cottage while awaiting his acceptance letter…

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260

    Halfway to Halloween: ‘Lekin…,’ a Time-Spanning Tale About Crossing Over to the Other Side

    By Vidal DcostaApril 22, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.