Close Menu
    Facebook X (Twitter) Instagram
    Friday, June 5
    Facebook X (Twitter) Instagram Bluesky
    The Movie Buff
    • Home
    • About
      • Critics
      • Press & Testimonials
      • Friends of the Buff
      • Terms of Use
      • Thank You!
    • Film Reviews & Coverage
      • Movie Reviews
      • TV/Streaming Reviews
      • Film Festival Coverage
      • Interviews
    • Podcasts
    • Indie Film
      • Reviews & Articles
    • Advertise
    • Contact
      • Write for us
    The Movie Buff
    31 Days of Halloween

    Orphan (R)

    Meghann BiggBy Meghann BiggOctober 20, 2019No Comments3 Mins Read
    Facebook Twitter Pinterest LinkedIn Tumblr Email Copy Link
    Share
    Facebook Twitter Email Copy Link

    In 2009, a unique horror film called “Orphan” was released. So ten years later let’s summarize why this film still stands strong today, particualry today within this golden age of horror with films such as “Get out,” “A Quiet Place,” and “Hereditary.” 

    The plot centres on John (Peter Sarsgaard) and Kate (Vera Farmiga) who have gone through a recent tragedy of a pregnancy that ended in stillbirth, and they are now in the market for a new child and visit an orphanage open house; and in defiance of horror films they pick the creepiest girl they can find. Esther (Isabelle Fuhrman) is the picture of innocence and wears antique dresses to symbolise her doll aesthetic. She avoids all the other children and her previous family died in a house fire. Her being an introvert is what draws John and Kate to her as they feel the same way. However, that innocent picture doesn’t last for long, and as the tag line on the poster states there’s something wrong with Esther, and soon bad things start to happen. Out of the couple, Kate is the only one that can see the truth, but she needs to convince everyone before it’s too late and so the plot thickens. 

    The acting on display is above par for the genre with strong performances from both leads Sarsgaard and Farmiga, who are able to explore the handful of character flaws that John and Kate embody. Themes such as alcoholism, infidelity, and past traumatic events all come into play and cause tension between them which Esther expertly plays on to pit the couple against each other. However, the main stand-out performance comes from Isabelle Fuhrman who joins the rank of creepy children in horror films. She is sickenley sweet when necessary and a complete bad ass the rest of the time, also her glares and threats will make you cringe with nervous laughter whilst simultaneously being scared what her next move will be. 

    Amidst the positives, there are a few negatives, one being that this is a long movie; however, the last twenty minute stretch will knock you out of your seat from what you are hearing and seeing on-screen. With it being a long movie the first hour is a slow burn, but towards the end there is a twist which spins the whole movie on it’s end, even to the point of hilarity which was probably not the reaction the film-makers wanted. 

    All in all “Orphan” is a good horror film, but its main reason for longevity in the horror genre is the stellar performances that carry the movie forward after the plot quickly moves from somewhat disturbing to absolute hilarity. 

    child family horror orphan orphanage Peter Sarsgaard thriller Vera Farmiga
    Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
    Previous ArticleThe Devil’s Rejects (R)
    Next Article The Creepy Doll (NR)
    Meghann Bigg

    Meghann is an aspiring entertainment journalist who mainly writes about film. Her favourite genres are musical, fantasy, and psychological thriller (favourite movies include: "Gone Girl," "Titanic," and "Mary Poppins."

    Related Posts

    Independent June 4, 2026

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    Drama June 3, 2026

    ‘The Currents’ Review: Taking the Plunge

    Bollywood June 3, 2026

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    Dark Comedy June 2, 2026

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    Western May 31, 2026

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    Horror May 30, 2026

    ‘Passenger’ Review: An Unremarkable Haunting Story with a Van-Life Twist

    Leave A Reply Cancel Reply

    Latest Posts

    ‘Meadowlarks’ imagineNATIVE 2026 Review: A Reunion With One Chair Still Empty

    By Paul Emmanuel EnicolaJune 4, 20260

    ‘The Currents’ Review: Taking the Plunge

    By Kevin ParksJune 3, 20260

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    ‘Send Help’ Review: A Bizarre Mishmash of Genres and Poor Writing Sink the Island Thriller

    By Mark ZiobroJune 2, 20260
    • Facebook
    • Twitter
    • Instagram
    • YouTube
    Bollywood
    Bollywood

    Review: Sarthak Dasgupta’s Long-lost ‘The Last Tenant’ — Starring Irrfan Khan — Now on YouTube

    By Vidal DcostaJune 3, 20260

    Sagar (Irrfan Khan), an ambitious musician rents a quaint cottage while awaiting his acceptance letter…

    ‘Laal Kaptaan’ Review: This Cult Classic Chronicles an Ascetic’s Revenge in Colonial India

    By Vidal DcostaMay 31, 20260

    ‘Kartavya’ Review: A Grim Slow-burn that Depicts the Rapid Decline of Humanity

    By Vidal DcostaMay 24, 20260

    Halfway to Halloween: ‘Shaapit’ and the Curse of Two Backstories

    By Vidal DcostaApril 27, 20260

    Halfway to Halloween: ‘Lekin…,’ a Time-Spanning Tale About Crossing Over to the Other Side

    By Vidal DcostaApril 22, 20260
    Spotlight on Classic Film

    ‘The Innocents’ Review: One of the First Haunted House Films of the Modern Horror Era

    ‘Gone With the Wind’ Review: Epic Film from the Golden Age of Hollywood

    ‘The Count of Monte Cristo’ QCinema 2024 Review: A Thoughtful, If Rushed, Study of Revenge and Redemption

    ‘Thirteen Women’ Review: A Precursor of the Slasher Genre, with a Devilishly Divine Femme Fatale at its Helm

    The Movie Buff is a multimedia platform devoted to covering all forms of entertainment. From Hollywood Blockbusters to Classic Comfort faves. Broadcast Television, on-demand streaming, bingeworthy series'; We're the most versatile source.

    The Movie Buff is also the leading supporter of Indie film, covering all genres and budgets from around the globe.

    Facebook X (Twitter) Instagram YouTube LinkedIn TikTok
    Copyright @2011-2026 by The Movie Buff | Stock Photos provided by our partner Depositphotos

    Type above and press Enter to search. Press Esc to cancel.