Written and directed by Tim Egan, âCurveâ is a sub-ten minute horror/thriller that offers a scary premiseâa woman wakes on a curved ledge, which dips off into an abyss, likely leading to her deathâbut works equally well as a character study. The film won a number of awards for âBest Shortâ or âBest Director,â but received only one nomination for âBest Actorâ at the St. Kilda Film Festival, which is a shame. Actress Laura Jane Turner, who plays the filmâs hapless victim, makes this film. Without her, it wouldnât have worked; but with her, it instead becomes a tense, nervous thriller that will cause goosebumps.Â
What works about âCurveâ is that its set-piece is simple yet effective, and uses as few tools as possible to tell its story. Itâs like a rock song stripped down to its acoustic groundwork. However, instead of melody, what weâre seeing here is terror. A woman (Laura Jane Turner) wakes up on a curved piece of cement near the bottom, about to fall off into eternity. Across her is another wall made out of the same shape. Below her is eternal blackness; above her is a high, sheer wall that is impossible to climb without a grapple or some kind of mountaineering tool. Her hands are bloodiedâand slick; this is importantâand any movement seems to send her closer to falling over the edge.Â
Acting and Isolation Sell ‘Curve’ to Viewers
I appreciated that Egan (who also did the filmâs cinematography) focused “Curve” on its protagonistâs terror, rather than explaining things with story. I also appreciate that the entire set is shown clearly. Sunlight spills in from above, illuminating the grey concrete that is, for all intents and purposes, this womanâs tomb. Thereâs no secret of what danger the woman is in, only the secret of how she got there. However, in an intimidating touch, across the way, on the other wall, Egan shows another pair of bloodied handprints. Had someone else been in this predicament before? Did they get out? How long did they last? Answers arenât forthcoming.Â
Of course, what sells the short to us is the performance by Turner, whose nameless face shows combinations of worry and horror. Turner handles the part well. What is so eerie about her predicament is that the ledge she’s on is enormous, but it might as well be a foot wide: one wrong move, one wrong inch, and sheâll fall to her death. But Turner plays the part sincerely; she is a woman stuck in this horrible situation, and she brings us in with her. She doesnât know sheâs in a movie, and her face shows it. She acts like a real person would in this situation. We see her move, slowly, pushing backwards with her hands, away from the void, even though the wall behind her is impossibly steep. She slips; thereâs too much blood on her hands. Wipe your hands on your clothes, I whispered to myself. But Turner does. Her reactions are believable and her terror real. The lack of a constant score (a few sounds and eerie musicality appear, only briefly) only illuminates the horror.Â
You Can Watch ‘Curve’ on YouTube
This is a good film. At less than ten minutes, it pulls you in, and honestly I wish it had been a little longer. Its acting is taut, and Tuner is a delight to watch. The filmmaking elements are all good, and the only question I had was why Egan didnât show the vastness of the abyssâcreating a vertigo-like terror similarly seen in this yearâs âFallââbut maybe thatâs not the point. Maybe weâre not supposed to be afraid of the fall, but whatâs inside. The filmâs greatest accomplishment is its examination of denial. It causes this both in its protagonist and in us, the viewers. She canât make it, we know that. Not unless some outside force intervenes. But we want her to. We hope for her to; we root for her efforts even though we know they wonât work. âCurveâsâ ending, with nature playing a sinister role, was like a slap in the face. All in all a solid film, one leaving me eager to see more of Eganâs work.Â
*You can watch the film on YouTube in window below.Â
You can watch “Curve” for free on YouTube.
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1 Comment
Overhyped frankly.