Montréal, Quebec is one of my favorite cities on the globe, and itâs a pleasure to be chosen to cover Fantasia International Film Festival in its 25th year this summer. Heralded as one of the largest (or the largest!) genre festival, itâs a pleasure to be invited and Iâm looking forward to bringing the best the festival has to offer to The Movie Buffâs readers and audience.Â
Also, as an American who has unfortunately not been able to visit Canada since the Covid-19 pandemic began, itâs also a great opportunity to be able to visit (at least virtually) one of its most beautiful cities to explore genre films in all their wonder.Â
The 25th Fantasia International Film Festival takes place the month of August, starting on August 5th and going until August 25th. And, following suit of the recent Tribeca Festival in New York City, Fantasia will take place mostly virtually, with some of the festivalâs screenings taking place in select theaters.Â
Tickets for Fantasia went on sale on July 23rd on their website at www.fantasiafestival.com. Fantasia allows interested persons to either buy tickets to individual films, or to purchase the âFestival Passport,â which will give access to all of the festival screenings in the online/virtual program. (*Note: the passport is only available to users residing in Canada). Also, for in-person screenings, viewers will be asked to buy individual tickets. Â
In preparation for the festival, below we list our top 10 most anticipated films of the festival, films we hope youâll be interested in seeing too. Follow The Movie Buff for continuous coverage of Fantasia during its run, including reviews of both the feature-length and short program, interviews, capsule reviews, and more.Â
1. âBaby, Donât CryâÂ
Director: Jesse Dvorak
Cast: Zita Bai, Boni Mata, Vas Provatakis, Helen Sun
They had me at John Hughes. Billing âBaby, Donât Cryâ as a fantasy/coming-of-age teen romance, the film looks like a win and one we are definitely looking forward to. Mixing elements of romance, indie filmmaking, and fantasy, this looks likes a film to see, not least of all of because one of its leads (Zita Bai) wrote, designed, and stars in this film. The film looks to have that indie/raw feeling which usually leads to some of my favorite movies, and âBaby, Donât Cryâ will hopefully be no exception.Â
2. âGeorama Boy, Panorama GirlâÂ
Director: Natsuki Seta
Cast: Anna Yamada, Jin Suzuki, Erika Takizawa
Iâve always felt that powerful, dramatic cinemaâespecially in coming-of-age storiesâis one of the best cinematic tools at filmmakers’ disposal, and it appears that âGeorama Boy, Panorama Girlâ is no exception. The film, which was the âOfficial Selectionâ of the Hawaii International Film Festival (2020) and Bucheon International Fantastic Short Film Festival (2020) seeks to mix drama, romance, a bit of the horrific, and the inclusion of a sex worker as a love interest. This angle was handled to perfection in Rob Levyâs âLIVELove,â and Iâm eager to see what Natsuki Seta does here.Â
3. âGlasshouseâ
Director: Kelsey Egan
Cast: Jessica Alexander, Adrienne Pearce, Hilton Pelser, Anja Taljaard, Brent VermuelenÂ
The South African film âGlasshouseâ looks to be an intriguing entry. A straight sci-fi/thriller, the film has all the pieces that makes an enticing story audiences yearn for. It has elements of dystopiaâa memory-wasting toxin spreads through South Africa hereâwhile a stranger infiltrates a sheltered family unit. Several films come to mind, such as â10 Cloverfield Lane,â âA Quiet Place,â and âBlindness,â and we canât wait to see how âGlasshouseâ weaves its story.Â
4. âFollow the LightâÂ
Director: Youchi Narita
Cast: Tsubasa Nakagawa, Itsuki Nagasawa, Rina Ikoma, Taro Suruga, Toshiro Yanagiba
The first thing that comes to mind when you hear âcrop circleâ is M. Night Shayamalanâs âSigns,â but âFollow the Lightâ promises to be anything but. That movie was a supernatural thriller; but here what we have is a coming-of-age story wrapped in a village in a Japanese countryside that has promise. Another gem to look forward to is that this is Director Naritaâs debut film (writing and directing); first-time filmmakers have that raw, personal feeling that make for some of the best cinema.Â
5. âPaul Doodâs Deadly Lunch BreakâÂ
Director: Nick Gillespie
Cast: Mandeep Dhillon, Alice Lowe, Kris Marshall, Tom Meeten, Katherine ParkinsonÂ
Daniel Prinn of The Movie Buff covered âPaul Doodâs Lunch Breakâ for the recent SXSW festival, calling it a âhilarious and gory revenge tale,â and is certainly a film that should be seen by all. Itâs an action/thriller detailing one manâs quest to get to an audition and the various purveyors of misery destined to stop himâuntil he snaps. Think âFalling Down,â but less social commentary and more crowd-pleasing horror. The film is sure to entertain, and we urge everyone to check it out.Â
6. âSatoshi Kon: The IllusionistâÂ
Director: Pascal-Alex Vincent
Cast: Mamoru Hosoda, Taro Maki, Rodney Rothman, Aya Suzuki
Documentaries can be the heart of any festival, and âSatoshi Kon: The Illusionist” is no exception. The film takes a look at the life of Satoshi Kon, a Japanese animator and anime artist. Kon, who toyed with truth and illusion is a spirit of renown to the Japanese anime community, and the film was recently nominated for a âGolden Eyeâ award at Cannes Film Festival (2021). Itâs definitely one we want to check out, and we hope you do too. It should please lovers of anime, or really anyone who likes a good documentary or animation.Â
7. âHand Rolled Cigarettesâ
Director: Kin Long Chan
Cast: Bipin Karma, Ka Tung Lam
This one looks good. Drama is my favorite genre (aside from my penchant for horror) and the actions of those on the criminal underbelly of society can sometimes have the strongest impact. âHand Rolled Cigarettesâ promises to be such a film. It deals with a petty crook who must discover where his loyalties lie, and includes themes such as a society who abandons its less desirables (IMDb). The film is also interesting for another aspect: Director Kin Long Chan, has previously been an actor with seven credits to his name. Itâs interesting to see actors step on the other side of the camera, and we canât wait for this one.Â
8. âThe RighteousâÂ
Director: Mark OâBrien
Cast: Henry Czerny, Mimi Kuzyk, Mark O’Brien
Thereâs not a lot of information given so far for Writer/Director Mark OâBrienâs âThe Righteous,â but weâre stoked for it just the same. It deals with a vengeful god, a mysterious stranger, and even hints at the occult (IMDb). Films dealing with gods, priests, and the occult have fascinated us ever since âThe Exorcist,â and probably before. It also helps that Director OâBrien recently played the conniving âAlexâ in the 2019 horror/comedy âReady of Not.â We hope that his taste in horror will translate here to an interesting and unnerving piece at Fantasia. âThe Righteousâ will defiantly be one that we will be checking out.Â
9. âUnder the Open SkyâÂ
Director: Miwa Nishikawa
Cast: Koji Yakusho, Meiko Kaji, Taiga Nakano
âUnder the Open Skyâ looks like a great drama, and, given its description, an apt title as well. While reverence towards mafia/gang types (or or glorification of ‘snitches’) are usual tropes in Hollywood cinema, less is shown about repentant mob-types who regret what they have done and are seeking absolution. This film, by Writer/Director Miwa Nishikawa is one of my most anticipated films of the festival. The lead character is also looking for his mother whom he was separated from as a child, and seems rife with purpose and insight. All-in-all, a highly-touted drama getting its Quebec premiere at Fantasia.Â
10. âKing CarâÂ
Director: Renata Pinheiro
Cast: Jules Elthing, Matheus Nachtergaele, Luciano Pedro Jr, Clara Pinheiro
Okay, so this sci/fi film âKing Carâ looks like something that is right up our alley. Cinema has been fascinated with cars since as long as I can remember. âChristineâ and âJoy Rideâ played to our nightmares, while the âTransformersâ series played to our childhood. âKing Car,â the Portuguese language film by Renata Pinheiro and Screenwriter Sérgio Olivieraâabout the son of a taxi man who has the ability to talk to cars in a machine apocalypseâhas our attention. Will this film be like âChristine?â Will it be like âThe Terminator?â Or is this apocalyptic film its own beast? We canât wait and see, and hope you will join us.Â
