âAdopt a Daddyâ (âDamien veut changer le monde,â original title) is French comedy about Damien, a primary school teacher who illegally claims to be the father of a student to stop him and his mother from being deported back to Syria. It quickly escalates into Damien and his peers taking up multiple children as their sons and daughters as a form of grassroots activism.Â
As the operation grows bigger, Damien and his friends each take up more sons and daughters than they can keep track of. They run the risk of being found out by the police, which would result in a hefty jail sentence for the men, and deportation for all the women and their children. Written and directed by Xavier de Choudens, âAdopt a Daddyâ is funny, quirky, and has a real beating heart. This film zealously encourages viewers to take up their own true activism in a climate where retweeting and re-blogging seems to have replaced real work and risk.
âAdopt a Daddyâ has an outrageous and original premise, but the story beats it takes to get to where itâs going are all very predictable. This is a formulaic film that doesnât attempt to jump into new territory when it comes to how a story is told. It follows a tight structure, which makes the film comprehensive and digestible, and has a very paint-by-numbers approach. Thereâs nothing inherently wrong with it, but itâs certainly less creative.Â
It is important to note, however, that this is an entertaining film. At times, it can be corny, and the acting isnât always great. However, these aspects donât take away from the viewing experience. The film is also very unrealistic in a naive way. There are grim truths the film refuses to look at. However, this is a comedy. Itâs someone elseâs job to look at those truths. This movie is for a good time.
âAdopt a Daddyâ makes no real choices when it comes to art direction. The costumes are fine. The props are fine. The sets are fine. None of these things are looking to make any statement. The cinematography follows suit as there were no unordinary or creative shot choices. I assume all of this is by design. The music was not memorable at its best, and trite at its worst. These are all aspects that will hinder the experience for film critics and scholars. However, for your average viewer, these details will not inhibit enjoyment of the movie.
âAdopt a Daddyâ frames female rage in a positive light. All the women in this film are angry to a certain degree. Their vexation is not a character flaw that they must overcome in their arcs; in fact, itâs quite the opposite. The men in the film grow by taking on the rage of the women around them.Â
For instance, one character, Selma (Melisa Sözen) angrily rebuffs Damien (Franck Gastambide) in the name of protecting her son. Itâs a healthy skepticism that has surely saved her in the past. The other immigrant mothers angrily insist they and their children be assisted in a pathway to French citizenship. Without their pushing, they would not have gotten the help they needed.Â
In another scene, Damienâs sister, Mélanie (Camille Lellouche) is a lawyer who angrily defends her clients and her family. Most importantly to the story, Damien and Mélanieâs mother was an angry hippie type who fought injustice wherever she saw it and implored others to do the same. The film does not construe the women’s rage as hysterical, unreasonable, or as shrill complaining. Instead, we see their fury as passion necessary to move people and to create change.Â
It is best said by Soraya Chemaly in her book âRage Becomes Her: The Power of Womenâs Anger,â âWomen should be angry about the violence and fear that inform so much of our lives…Anger is the emotion that best protects us against danger, unfairness, and injustice. Understanding it and learning to think about its methodical uses in response to threats like these allows girls and women to move from passivity, fear, and withdrawal to awareness, engagement, and change.âÂ
Why is this important? Because the women in âAdopt a Daddyâ are mad and they should be. In addition, the men in this film are all nurturers. They readily take on the role of father and jump into these kidsâ lives, providing plenty of hugs and kisses. âAdopt A Daddyâ breaks down stereotypes, and provides a model of a healthier masculinity and femininity.
As said, âAdopt a Daddyâ is not a cinematic masterpiece. Itâs a silly romantic comedy with a fun premise. This movie does not take itself too seriously but still manages to say a lot about citizenship, immigration, parenthood, and female rage. A highly effective and enjoyable film, itâs is sure to elicit some laughs along with some tears.
*Note: we could not currently identify any streaming options for “Adopt a Daddy.”Â

2 Comments
I like this feminist take. Great points all around.
Cool review. Cool ideas