âCountdown” is a horror film. Or at least it tries its best.
Look. I saw the movie. I didnât like, you arenât going to see it. Letâs get this over with.
Actually, before I get into this movie we need to talk about something. I need someone to tell me how âCountdown” can make almost nine million dollars its opening weekend having been released in 2,600 theatres, when “Missing Link” only made five million dollars opening in 3,000. Get it together people. This is why we canât have nice things. But anyway, letâs talk about âCountdown.”
First of all, the rules donât make sense. âCountdown” is what I like to call Mechanical Horror, or Game Horror. Itâs when the thrills come from watching a cast of characters figure out the rules to some curse or mystery that they then need to work within or find a loophole out of to survive. “Final Destination” is the best example of this. So what are the rules in this film? The main one is that once you download the app, you canât use the knowledge to change your fate.
And right away we have a problem. In a pure deterministic sense, which the app would need to be in order to function, this should be impossible. This issue is similar to the one many time travel movies have. Itâs a kind of time loop where if the app says Iâm going to die in five hours, why wouldnât it have taken into account that I downloaded the app and saw that I was going to die in five hours? If the death clock is thrown off by me having seen the death clock and making different decisions than⦠I dunno thatâs just kind of dumb.
It definitely isnât interesting to watch and it feels like the app is cheating when, after you donât hop into a car driven by your drunk boyfriend, the app accuses you of breaking the terms of service and sends a demon to kill you anyway. Like, well if thereâs no difference whatâs even the point? You either die in the car crash or a demon kills you, but whyâs the app getting upset that she made a slight variation to her life, something she was likely going to do regardless of the app?
These arenât the types of things Iâm meant to be thinking about during a horror film. At the end of the film – Spoiler Alert – the main character realizes that since she knows when sheâs going to die, if she just kills herself immediately that means the app was wrong which will break the curse. So she pumps herself with morphine but then has her sister pump her with⦠anti-morphine to come back. So she didnât really die but it works anyway because of reasons.
The movie wasnât all bad though. The comic relief characters were actually really great. P.J. Byrne as Father John, a Catholic priest/huge bible nerd that listens to trap music and burns incense like pot was the boost this movie needed; too bad heâs only in a couple scenes. Tom Segura definitely wins for laugh-to-line ratio. He had great delivery and made the most out of every second of screen time he had. He played a smart-alecky phone repair shop owner. Thatâs it. But he worked.
Oh yeah, thereâs a sexual harassment subplot that has our main character, an intern at a hospital, being assaulted by a male doctor. The doctor then lies and tells everyone that it was actually the woman who moved on him. That was way more frightening then any of the jump scares in this movie. All the scares are jump scares, by the way.
The acting was subpar, the camera work was passable; but, the writing was bland and forgettable. This is yet another in a long line of painfully mediocre films out of STX Entertainment. Unfortunately âCountdown” made more than 3 times its budget so⦠I canât wait to see⦠“Countdown 2.0” or whatever they call the sequel. And yes, they set up a sequel. Of course they did.

1 Comment
I laughed at the comparison to Missing Link, because honestly, yes. It is wild that a film this thin could open so well while more creative movies struggle to find an audience. The premise of Countdown probably did a lot of the work â evil app horror is easy to sell in a trailer, especially to teenagers looking for a quick Halloween-season scare â but the actual movie does not seem interested in doing anything clever with that premise. This review captures the exact feeling of watching it: not angry enough to be fun, not scary enough to work, just blandly disappointing.