“Hello. Iâm Johnny Knoxville. Welcome to Jackass.”
As these familiar words punctuate the stupid but hilarious opening of âJackass Forever,â all the audience can do is shrug and agree to the filmâs marketing tagline: âSome people never learn.â
With the above-mentioned opening scene featuring a giant Godzilla-like monster wreaking havoc to the city, we see the cast getting mauled, blasted, and âsquirtedâ on by the monster. In reality, it’s simply Chris Pontiusâ green-painted penis, posing as a monster over a small set of a city. As the segment ends with a snapping turtle biting Pontiusâ member, Knoxville says the words quoted above and formally starts the reality slapstick compilation.
Indeed, from the ‘Penis Beehive’ (Steve-O strips down and has Knoxville place a queen bee on his groin, as dozens of bees latch onto and sting his penis) to ‘The Flight of Icarus’ (Knoxville dons fake wings, places himself inside a cannon, and gets blasted before crashing to the lake, thus recreating the tale of Icarus flying too close to the sun); some people never learn.
And that’s a good thing. Because here’s the kicker: once the audiences acknowledge what theyâre getting themselves into, âJackass Foreverâ might end up among their biggest sources of belly laughs since the pandemic began. And once theyâve accepted this media franchise at face value, itâs easy to say that this latest installment from director Jeff Tremaine and producer Spike Jonze is the best movie of the entire “Jackass” franchise.Â
The Key to Appreciating âJackassâ? Treat it as Fanfare, Not Cinema
This is where biases need to stay at the door. For all the talk surrounding Martin Scorsese referring to superhero films as âtheme parksâ, one thing is certain: âJackass Foreverâ is one. So, to watch this movie (and weâll use the terms âmovieâ and âfilmâ very loosely here) with the expectation that thereâd be at least a plot herein is to completely miss the point.
It also pays to remember that the franchise began as a reality television show on MTV in 2000. Shortly after the showâs end in 2002, the first “Jackass” film came out, which made the brand the media franchise it is today. That bit is important, because while âJackass Foreverâ is a movie, it isnât cinema. Itâs more of an attraction for adults, or for adults whose brand of humor “Jackass” caters to. Therefore, it’s best to consume this indecent compilation of pranks and stunts piecemealâwith years in between installmentsâfor the whole thing to work.Â
And this explains why our colleague Matt DeCristo hated the spin-off âJackass Presents: Bad Grandpaâ to a tee. The whole franchise is better off as montages of stupid stunts, juvenile pranks, and (literal) toilet humor; so much so that expanding one skit into a feature-length film wouldnât really deliver the laughs it promises. Worse, it becomes a pale retread of cringe comedy that other filmmakers have excelled in (e.g. the “Borat“Â films).
âJackass Foreverâ: A Breath of Fresh AirâDick and Fart Jokes Aside
In this slapstick movieâs defense, what helped the publicâs rather surprising reception to it involves timing. And the filmmakers and crew probably know this too well themselves. At the beginning of the movie, Steve-O waxes nostalgic about the twenty-year journey of the “Jackass” franchise, with the last installment (excluding “Bad Grandpa”) being way back in 2010. And with the pandemic still ongoing, the world has become weary with living under the new normal.
Those two factors, for me, explain the charm that âJackass Foreverâ exuded; it has a ten-year gap between installments, and came out right in the middle of a crazy time. When Covid-19 has all but sucked out the joy in oneâs everyday life, watching a bunch of people assembling themselves to serve as a human ramp for skateboarders and bicyclists might prove to be that much-needed tonic. Laughter, after all, doesnât cost a thing; and even the most boorish stunt can put a smile on a curmudgeonâs face, given the right timing.
When the proverbial dust (i.e. spunk) settles, âJackass Foreverâ validates the long-running franchise as a guilty-pleasure attraction; a series best consumed sporadically featuring childish people pulling off stupid stunts for fun. In essence, âJackass Foreverâ encapsulates oneâs audacity to stop timeâand just relive the innocent mischiefs of their youth.
And, truth be told, don’t we all?Â
âJackass Foreverâ is now showing in theaters .
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