Itâs been said before that if youâve seen one disaster movie, youâve pretty much seen them all. Along with other genres that are formulaic in nature, disaster films often contain a number of familiar and clichéd tropes, just like their cinematic siblings. Just take a look at Roland Emmerichâs filmography to see what Iâm talking about. Theyâre basically all the same movie.Â
A deeper disaster film
Director Roar Uthaugâs 2015 entry âThe Waveâ (“Bølgen” original title) does not escape the curse of the disaster movie clichés. However, it overcomes its predictive story with a smart script that possesses rare emotional intelligence for films of its ilk. Aided further by strong performancesâspearheaded by the able Kristoffer Joner in the lead roleâand impressive visuals, “The Waveâ is one of the most effective disaster thrillers that Iâve come across.Â
Norway entered “The Wave” as its selection for âBest Foreign Language Filmâ at the 2016 Oscars; I must say I’m honestly surprised to find that it wasnât ultimately nominated in the category. From the opening frame, the film took me aback. It shows judicious pace and character focus that it maintains through its efficient 105 minutes.Â
The movie’s supposed draw comes from in the form of the tsunami that forms after a rockslide in the Scandanavian mountains threatens the nearby tourist village of Geiranger. However, “The Wave” has a sense of realism that it accentuates with excellent performers and the full-bodied characters they portray that makes it especially impactful.
The Eikjord family sits at the center of the chaotic proceedings. They supply the film with a level of emotional resonance absent from disaster movies that emphasize the size and scale of the disasters theyâre depicting over the human beings they affect. âThe Waveâ has no such issues. As a result, the film feels startlingly realistic for a genre that so often pumps out absurd and over-the-top spectacles.
Storytelling and scientific precision
The film’s success stems from its developed characters and deft storytelling, but also from its scientific precision and the plausible nature of the wave itself. Geiranger is eventually thrust into a full-blown evacuation as the giant wave rapidly approaches.Â
The sequences, which are tremendously stressful, provide enough suspense on their own; however, the emotion its characters bring to the fore is the film’s true selling point. The filmmakers dedicate needed emphasis to the central humans early on, and ensure the impact of the film’s visual splendor.
The cinematography impressively renders the incoming wave as it approaches the quaint village, rivaling the best Hollywood FX despite its $6M budget. There are also a handful of truly stunning practical visuals captured on and around the à kerneset Mountains.
“The wave” is gorgeous and harrowing, and a perfect example of a disaster movie done right. While it packs crowd-pleasing set pieces audiences expect from disaster films, it also utilizes its characters as a firm foundation. Its rip-roaring action and heartfelt emotion provide a gravitas that makes the rest of the movie that much more exciting.Â
*”The Wave” is currently available to watch on most streaming platforms.Â
