âAlien on Stage,â despite having a handful of heartwarming scenes, is a basic and tiresome documentary at its core. Documentaries donât necessarily have to be stylish and exciting (although it certainly helps, see âKid Candidate,â also at SXSW this week). Documentaries are partaking in reality, and reality can often be gloomy and bland. Itâs what the makers of the documentary bring to it that can make it exciting. Unfortunately for âAlien on Stage,â thereâs not a lot that the filmmakers bring to the table.
âAlien on Stageâ follows a group of amateur actors in Dorset, England. Theyâre bus drivers as their day job, but once a year, they do a pantomime show following some unusual theme. Last year it was âRobin Hood,â and this year itâs âAlien.â Yes, thatâs right. An amateur theatre group is performing Ridley Scottâs sci-fi hit âAlienâ on stage. After an extremely unsuccessful debut at the local theatre, the directors of the documentary funded them to perform in a huge theatre in London. With their newfound second chance, they double down to create the best show possible.Â
On paper, the documentary sounds inspiring. And the actual facts of the story truly are. Itâs the execution of the documentary that turns an otherwise mildly interesting topic into a color-by-numbers, tired film.
âThe Officeâ is known for its dead-pan mockumentary style. “Alien on Stageâ almost feels like that, except you begin to feel that itâs not within the first few minutes. Despite the comedic concept of the film, thereâs no clear path to make this a funny documentary. Itâs taken very seriously by the filmmakers throughout, with no attempt to include even an ounce of comedy. Now, documentaries donât have to be funny at all. But when some clearly hilarious remarks straight out of âThe Officeâ are obviously being played off as serious, it brings the whole film down.Â
Although the ups and downs of the production were somewhat funny, Iâm still not sure if the documentary was necessary. For the first hour, itâs simply not interesting to watch. People mumble about their lines, explain their parts, show off the Alien costume (made of styrofoam tubes, styrofoam, and foam), etc. Itâs not very exciting, and it feels like it couldâve been avoided if the directors didnât make the style so by-the-numbers. The default text found in virtually any editing software is displayed constantly, and thereâs absolutely nothing that sets it apart from literally any documentary.Â
The purpose of the documentary is incredibly lacking. Easily the best part was when we got to see their performance, the final product. The audience is cheering for these amateur actors, and itâs a genuinely nice moment. But that only exemplifies the lack of necessity for the documentary. It would have been highly enjoyable if there was just a tape of the play. But by forcing the audience to sit through every tedious step in their journey, without a laugh along the way, it makes for an uncomfortable and frankly boring ride.Â
Now, the cast and crew of âAlien On Stageâ should be proud of themselves. They made an amateur production of a sci-fi film that performed in a huge London theatre three years in a row. Thatâs an extremely impressive feat. My critique is purely about the documentary itself, not the subject of it.
Almost any topic can be interesting if itâs handled by the right people. The production of âAlien on Stage,â while perhaps not very compelling to many, could be a perfectly fine documentary if made by people who saw the comedy in the situation, while still retaining all of its heart. But when a rather silly subject is played off as an ultra-serious documentary, it makes for a monotonous and dull experience.
